How Does Shakespeare Make These Two Scenes dramatic Essay Example

How Does Shakespeare Make These Two Scenes dramatic? Essay Shakespeares Romeo and Juliet is first and foremost a play about love. Romeo and Juliet meet, fall in love and get married the very next day. This love between two young people is constantly undermined by the underlying hate of their respective families. It is clear from the outset of this play that the story of these star-crossd lovers will not end happily ever after, in fact, only two days after marrying, they are both dead. This fast moving plot of the play allows Shakespeare to zoom in and concentrate on specific activities during the day rather than just giving us an overview of the day as a whole. The two scenes that I will be analysing, Act one scene five and Act three scene one, are both central to the plot of the play as a whole. Act one scene five is the scene in which Romeo first glimpses Juliet and they speak their first fourteen lines together, lines that form a perfect sonnet. Also, Act one scene five lays the foundations for the fight in Act three scene one when Mercutio (Romeos friend) and Tybalt (Juliets cousin) are killed and consequentially, Romeo is banished from Verona. Shakespeares positioning of Act one scene five is very clever because it means there are four scenes in which the mood of the play can be set and all the characters can be introduced to us, the audience, before the two main characters meet each other. In the first scene we see the rivalry between Two households, both alike in dignity, the Capulets and the Montagues. Shakespeare then goes on to introduce us to Romeo, a Montague, and Juliet, a Capulet. This is a good example of Shakespeares skill as a dramatist and his use of dramatic irony in that we know the identities of the two lovers but Romeo and Juliet do not know each others identity upon meeting. We will write a custom essay sample on How Does Shakespeare Make These Two Scenes dramatic? specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on How Does Shakespeare Make These Two Scenes dramatic? specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on How Does Shakespeare Make These Two Scenes dramatic? specifically for you FOR ONLY $16.38 $13.9/page Hire Writer In Act one scene four, the scene immediately preceding Act one scene five, Romeo speaks of his feeling of foreboding before entering the Capulets party, I fear too early; for my mind misgives Some consequence yet hanging in the stars Shall bitterly begin this fearful date With this nights revels. This shows that Romeo, although he is going to look at Rosaline, with whom he thought he was in love, felt that something else might happen. When he says, Some consequence yet hanging in the stars we know that he believes in fate and that he thinks that something is destined to happen that is ordained in the stars but not yet revealed. Act one scene five would have been a visually spectacular scene for the Elizabethan audience that it was intended for, especially the groundlings. Although Shakespeare could not supply accurate costumes for his characters and their time period, there would have been a big difference between the clothing of the servants and that of the wealthy, upper classes who would have been present at the party. Shakespeare would not have been able to fill his stage with lots of extra actors but, never the less, there would have been quite a party atmosphere on stage which would have been impressive for the Elizabethan audience. Tension and suspense, in this scene, is created by Shakespeare in two ways. Firstly, there was an opportunity for conflict when Romeo, just having seen Juliet, is himself seen and recognised by Tybalt, Juliets cousin. This, by his voice, should be a Montague. Fetch me my rapier, boy. Tybalt asks for his rapier, or weapon, which shows that he wants to fight Romeo and this causes tension for the audience because we know that Romeo has just noticed Juliet and if there is a fight now they will not be able to talk. However, there is not a fight in this scene as Capulet, Tybalts uncle, tells him to leave Romeo alone, Content thee, gentle coz, let him alone. Capulet is no more a friend to the Montagues than Tybalt is but he has a good reason not to want Tybalt to start a fight with Romeo, Youll make a mutiny among my guests. You will set cock-a-hoop! He doesnt want a fight to start between his guests or cause any disorder and with Capulet being the head of the house Tybalt has no choice but to comply and leave Romeo alone for the time being. It is this bit of tension which lays the foundations for the fight in Act three scene one. When Tybalt is told to leave Romeo alone he says, I will withdraw; but this intrusion shall Now seeming sweet convert to bitterest gall. This shows that, although Tybalt leaves Romeo alone for the time being, he wants to take revenge on him for daring to come into the Capulet house and even though he seems sweet at the moment he will turn bitter. The second creation of tension and suspense for the audience lies in the fact that we know the identities of both Romeo and Juliet. When we see them talking we know that they belong to opposing families and we know the consequence of their meeting, which is death. We know this from the prologue, The fearful passage of their [Romeos and Juliets] death-markd love, And with the continuance of their parents rage, Which, but their childrens end, nought could remove. This shows that they are fated to die and only this will end their families rivalry. Upon finding out each others identities, Romeo and Juliet realise the reverberations that this might have on their families. Romeo says, Is she a Capulet? O dear account! My life is my foes debt. This tells us that he realises that by being in love with Juliet, he owes his life to the Capulets. Juliet says, My only love sprung from my only hate! Too early seen unknown, and known too late! Prodigious birth of love it is to me, That I must love a loathed enemy. This shows us that she believes her love for Romeo is foretelling evil, but she still loves him because she realised his true identity too late. Another one of Shakespeares techniques that make him a skilful playwright is choosing issues that are of interest to his audience. In this scene we see how the Elizabethan concept of courtly love, between Romeo and Rosaline, makes way for true love, between Romeo and Juliet. Romeos courtly love for Rosaline is shown in the scenes leading up to Act one scene five where Romeo is seen to be pining after a woman who does not love him back and in fact probably doesnt even know that she is the subject of Romeos desires. When Romeo sees Juliet he pushes all thoughts of Rosaline out of his head, Did my heart love till now? Forswear it, sight! For I neer saw true beauty till this night. He is renouncing all knowledge of his love for Rosaline; just at the sight of Juliet who he believes has true beauty, the like of which he has never seen before. We could believe that Romeo is a very fickle man and that he will soon be denying all knowledge of his love for Juliet but when they talk to each other we know that this is not true. In Shakespeares time women were not allowed to act so a young boy would have had to play Juliet and because of this, love could not be shown through lots of passionate kissing. Instead, Shakespeare portrays their love in their language. The first fourteen lines that the star-crossd lovers share form a perfect sonnet which was accepted in Elizabethan times to be a sure sign of love and therefore an appropriate way for Romeo and Juliet to express their love for each other. Romeo says the first quatrain, Juliet the second and the last quatrain and ending couplet are shared between Romeo and Juliet. Shakespeare does allow one small kiss between Romeo and Juliet but this is not really needed as by this point the desired effect has already been achieved. The imagery that Shakespeare has used in Romeo and Juliets first meeting is particularly effective. Romeo refers to Juliet as a holy shrine, If I profane with my unworthiest hand This holy shrine, the gentle sin is this My lips, two blushing pilgrims, ready stand To smooth this rough touch with a tender kiss, and says that if he has defiled Juliets hand by holding it in his then he will kiss her, with his lips which he refers to as pilgrims, to remedy this. Basically he is telling us that he has come to worship Juliet whom he sees as a saint. When Juliet answers Romeo she carries on the religious metaphor calling Romeo a Palmer, a pilgrim carrying a palm leaf, Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands which pilgrims hands do touch, And palm to palm is holy palmers kiss. This shows that she has taken into account what Romeo has said about her being a saint allows Romeo to worship her by the touching of hands, which she refers to as a kiss. Romeo, wanting a real kiss, asks Juliet, Have not saints lips, and holy palmers too? He is carrying on the holy imagery to convey to Juliet that he wants to kiss her. Juliets reply shows that although she probably wants to kiss Romeo, she will not, Ay, pilgrim, lips that they must use in prayer She is using the religious metaphor to give a suitable answer, because in Elizabethan days it would not have been considered appropriate for Juliet to give in straight away and kiss Romeo. In the end though, Shakespeare gives the audience what they would have been waiting for, the lovers first kiss! Shakespeares use of the extended metaphor in this first meeting is extremely successful. Another issue of Elizabethan interest that Shakespeare conveys in this scene is the relationship with Juliet and her wet nurse compared to that of Juliet and her mother. Although we do not see Lady Capulet in this scene, we have seen from the scenes preceding that Juliet has a very formal relationship with her mother, Madam, I am here. What is your will? Compared to this relationship between mother and daughter, Juliets relationship with her nurse is very informal, Come hither, Nurse. What is yond gentleman? This shows that Juliet doesnt feel embarrassed to speak to Nurse whereas when talking with her mother she waits to find out what is wanted of her before saying anything. The contrasting language between the wealthy characters and the servants helps to make this scene dramatic and creates a clear way for the audience to know who is poor and who is wealthy. Shakespeare has written all the lines of his wealthy characters in blank verse with a stress pattern of iambic pentameter. On the other hand his servants speech has no pattern to it. This is basically the same as a modern play having its poorer characters speaking in slang and its wealthier characters speaking in formal English, which is very effective. All in all Act one scene five is a very dramatic, interesting and spectacular scene and Shakespeare used many techniques to make it so. Act three scene one is also a dramatic scene and many of the same techniques are used although they have slightly different purposes in this contrasting scene. The positioning of this scene is one thing that helps to make it dramatic. It comes straight after Romeo and Juliets wedding, which although we dont see it, we know has happened, and before Romeo and Juliets wedding night. The fact that their wedding night comes after this scene is crucial because it tells us that Juliet has chosen Romeo over Tybalt who Romeo has slain. Another way Shakespeare made this scene effective was in the creation of the character, Mercutio. When Romeo refused to take up Tybalts challenge to him, Mercutio stepped in, and took up the challenge for him to withhold the family honour O calm, dishonourable, vile submission! Alla Stoccata carries it away. Tybalt, you rat-catcher, will you walk? He thinks that Romeo refusing Tybalts challenge means that Tybalt has won and that he is dishonouring his family. In the fighting that follows, Mercutio is killed and this is what creates the anger that causes Romeo to kill Tybalt, Alive in triumph, and Mercutio slain! Away to heaven, respective lenity, And fire-eyd fury be my conduct now! Romeo realises what he has done and throws aside his respect for Tybalt who is now his cousin. If it werent for the creation of Mercutio, this scene would not be as dramatic because it would just be Tybalt challenging Romeo and them fighting till Tybalt died. Just like there was in Act one scene five, there is some dramatic irony in this scene. Shakespeare made sure that we know why Romeo did not want to accept Tybalts challenge but Mercutio, Benvolio and Tybalt were in the dark about Romeos marriage to Juliet. This makes it more interesting for us when Romeo does finally kill Tybalt because we realise that they were cousins and that Juliet will be in a very difficult position, having to decide between her love for Romeo and her love for her murdered cousin. This scene also reminds us just how fast moving the plot of the whole play actually is. Romeo and Juliet only met a day ago, got married just minutes before this scene takes place and now Romeo has killed Tybalt. This fast moving plot makes the entire play very dramatic because it means there is no time for relaxing, so to speak. The audience, and indeed the characters, are forever on the edge of their seat wondering what is going to happen next. Shakespeare made this scene visually extravagant, like Act one scene five but in a different way. The visual effect in this scene is seeing the characters fighting and two of them dieing. Just like people today love a good car chase in a movie, the Elizabethans loved a good sword fight in a play. Shakespeare knew this so he made the scene more dramatic for the Elizabethans by having two sword fights instead of just the one. The differing dynamics between characters in this scene makes it interesting and dramatic. As I have already mentioned, Romeo speaks very politely to Tybalt and wishes him no harm, I do Protest I never injurd thee, But love thee better than thou canst devise, Till thou shalt know the reason of my love This contrasts greatly with the unpleasant and offensive way that Tybalt speaks to Romeo, Romeo, the love I bear thee can afford No better term than this thou art a villain This shows that Tybalt holds contempt for Romeo whereas as Romeo says that he has nothing but love for Tybalt. In conclusion, the two scenes, Act one scene five and Act three scene one are crucial to the plot of the play as a whole. As such, Shakespeare used many techniques to make these two scenes as dramatic and as striking as possible. To hold the audiences attention during these two scenes Shakespeare used his skills as a dramatist to produce effects such as, dramatic irony, tension and suspense and he used language to highlight many emotions. I believe that Shakespeare was an expert playwright and even though I do not live in Elizabethan times I still appreciate his plays. For people living in Elizabethan times the appeal of Shakespeares Romeo and Juliet would have been far greater than it is for me because Shakespeare knew what appealed to his audience and wrote his plays so that they would enjoy them. Also, Elizabethan audiences would not have had to analyse the plays in detail and would have been able to enjoy them as pieces of theatrical brilliance!

Butterfly Houses in the US

Butterfly Houses in the US Butterfly houses offer enthusiasts of all ages the opportunity to observe a variety of species in an indoor exhibit. Most butterfly houses mimic tropical environments​ and showcase tropical species from Asia, South America, Australia, and other warm, humid locations. A few butterfly houses listed here feature species native to North America. Usually, youll see some showy moths, such as luna moths or Atlas moths, perched on foliage as well.​ Before you visit a butterfly house, it might increase your enjoyment to learn a little about the lepidopteran, or butterfly, including tips for observing and photographing butterflies, the differences between butterflies and moths, and why butterflies drink from puddles, a behavior you will likely observe in a butterfly exhibit. Most butterfly houses have an area where you can see new adult butterflies emerge from their pupae, and some display larval food plants as well. Some butterfly houses listed here are seasonal, meaning they are open for only a part of the year. Be sure to call before you visit to be sure the butterflies are on display. This is a list of enclosed butterfly houses, not outdoor butterfly gardens. Alabama Huntsville Botanical Garden4747 Bob Wallace Ave.Huntsville, Alabama 35805(256)-830-4447 Seasonal. Call before you visit. California Natural History Museum of Los Angeles CountyButterfly Pavilion900 Exposition Blvd. Los Angeles, California 90007(213) 763-DINO Seasonal. Call before you visit. San Diego Zoo Safari ParkHidden Jungle15500 San Pasqual Valley RoadEscondido, California 92027(760) 747-8702 Seasonal. Call before you visit. Six Flags Discovery Kingdom1001 Fairgrounds DriveVallejo, California 94589(707) 643-6722 Year-round Colorado Butterfly Pavilion6252 W. 104th Ave.Westminster, CO 80020(303) 469-5441 Year-round Delaware Delaware Nature SocietyBarley Mill RoadHockessin, Delaware 19707(302) 239-2334 Seasonal. Call before you visit. District of Columbia Smithsonian National Museum of Natural HistoryButterfly Pavilion10th Street and Constitution Ave., NWWashington, D.C. 20560(202) 633-1000 Year-round National ZooPollinarium3001 Connecticut Ave., NWWashington, DC 20008(202) 633-4888 Year-round Florida Butterfly World3600 W. Sample RoadCoconut Creek, Florida 33073(954) 977-4400 Year-round Butterfly RainforestFlorida Museum of Natural HistoryUniversity of FloridaSW 34th Street and Hull RoadGainesville, Florida 32611(352) 846-2000 Year-round Key West Butterfly and Nature Conservatory1316 Duval St.Key West, Florida 33040(800) 839-4647 Year-round Panhandle Butterfly House8581 Navarre ParkwayNavarre, Florida 32566(850) 623-3868 Seasonal. Call before you visit. BioWorks Butterfly GardenMuseum of Science and Industry (MOSI)4801 E. Fowler Ave.Tampa, Florida 33617(800) 995-MOSI Year-round Georgia Callaway GardensCecil B. Day Butterfly Center5887 Georgia Highway 354Pine Mountain, Georgia 31822(800) CALLAWAY Seasonal. Call before you visit. Illinois Brookfield ZooChicago Zoological Society 8400 31st St.Brookfield, Illinois 60513(708) 688-8000 Seasonal. Call before you visit. Chicago Academy of SciencesThe Peggy Notebaert Nature MuseumJudy Istock Butterfly Haven2430 N. Cannon DriveChicago, Illinois 60614(773) 755-5100 Year-round Peck Farm Butterfly House4038 Kaneville RoadGeneva, Illinois 60134(630) 262-8244 Seasonal. Call before you visit. Iowa Reiman GardensIowa State University1407 University Blvd.Ames, Iowa 50011(515) 294-2710 Year-round Kansas Butterfly/Pansy House701 Amidon StWichita, Kansas 67203(316) 264-0448 Seasonal. Call before you visit. Louisiana Audubon InsectariumButterflies in Flight6500 Magazine St.New Orleans, Louisiana 70118(800) 774-7394 Year-round Maryland Brookside Gardens South ConservatoryWings of Fancy Butterfly Exhibit1500 Glenallan Ave.Wheaton, Maryland 20902(301) 962-1453 Seasonal. Call before you visit. Michigan Detroit ZooWoodward Avenue and 10 Mile Road (I-696)Royal Oak, Michigan 48067(248) 541-5717 Year-round Original Mackinac Island Butterfly HouseMcGulpin StreetMackinac Island, Michigan 49757(906) 847-3972 Seasonal. Call before you visit. Wings of MackinacSurrey Hills Carriage MuseumMackinac Island, Michigan 49757(906) 847-9464 Seasonal. Call before you visit. Dow Gardens1809 Eastman Ave.Midland, Michigan 48640(800) 362-4874 Seasonal. Call before you visit. Frederik Meijer Gardens Sculpture ParkLena Meijer Tropical Conservatory1000 E. Beltline, NEGrand Rapids, Michigan 49525(888) 957-1580 Seasonal. Call before you visit. Missouri Sophie M. Sachs Butterfly HouseFaust Park15193 Olive Blvd.Chesterfield, Missouri 63017(636) 530-0076​ Year-round New Jersey Camden Childrens Garden Philadelphia Eagles Four Season Butterfly House 3 Riverside DriveCamden, New Jersey 08103(856)-365-8733 Year-round Stony Brook Millstone Watershed AssociationKate Gorrie Butterfly House31 Titus Mill RoadPennington New Jersey 08534(609) 737-3735 Seasonal. Call before you visit. New York American Museum of Natural HistoryButterfly ConservatoryCentral Park West at 79th StreetNew York, New York 10024(212) 769-5100 Seasonal. Call before you visit. National Museum of PlayOne Manhattan SquareRochester, New York 14607(585) 263-2700 Year-round Sweetbriar Nature Center62 Eckernkamp DriveSmithtown, New York 11787(631) 949-6344 Seasonal. Call before you visit. North Carolina North Carolina Museum of Life Science433 Murray AveDurham, North Carolina 27704(919) 220-5429 Year-round North Carolina Museum of Natural SciencesLiving Conservatory 11 W. Jones St.Raleigh, North Carolina 27601(919) 733-7450 Year-round Ohio Krohn Conservatory1501 Eden Park DriveCincinnati, Ohio 45202(513) 421-4086 Seasonal. Call before you visit. Cox Arboretum Metro Park 6733 Springboro PikeDayton, Ohio 45449(937) 434-9005 Seasonal. Call before you visit. The Butterfly House Obee RoadWhitehouse, Ohio 43571(419) 877-2733 Seasonal. Call before you visit. Pennsylvania Academy of Natural SciencesDrexel University1900 Benjamin Franklin ParkwayPhiladelphia, Pennsylvania 19103(215) 299-1000 Year-round Hershey Gardens170 Hotel RoadHershey, Pennsylvania 17033(717) 534-3492 Seasonal. Call before you visit. Phipps ConservatoryOne Schenley ParkPittsburgh, Pennsylvania 15213(412) 441-4442 Seasonal. Call before you visit. South Carolina Cypress Gardens3030 Cypress Gardens RoadMoncks Corner, South Carolina 29461(843) 553-0515 Year-round South Dakota Sertoma Butterfly House4320 Oxbow Ave.Sioux Falls, South Dakota 57106(605) 334-9466 Year-round Tennessee Tennessee AquariumOne Broad St.Chattanooga, Tennessee 37402(800) 262-0695 Year-round Texas Moody Gardens1 Hope Blvd.Galveston, Texas 77554(800) 582-4673 Year-round The Houston Museum of Natural ScienceCockrell Butterfly Center5555 Hermann Park DriveHouston, Texas 77030(713) 639-4629 Year-round San Antonio ZooCaterpillar Flight School3903 N. St. Marys St.San Antonio, Texas 78212(210) 734-7184 Seasonal. Call before you visit. Texas Discovery GardensRosine Smith Sammons Butterfly House Insectarium3601 Martin Luther King Jr. Blvd.Gate 6 at Fair ParkDallas, Texas 75210(214) 428-7476 Year-round Wisconsin Beaver Creek ReserveS1 County Highway KFall Creek, Wisconsin 54742(715) 877-2212 Seasonal. Call before you visit.